Cars, trains and a massive bank vault. Yet another productive collaboration between Previs Supervisor Alex Vegh and Director Justin Lin.

Murder, betrayal, intrigue, car chases and incredibly complicated camera moves…all in a day’s work with Director Robert Schwentke and VFX Supervisor Mike Wassel .

We completed two post-vis sequences for Director Gary Ross, one involving the mutts and the other the tracker jackers. For the tracker jacker sequence it was essential to convey the wasps’ behavior as their hive is threatened.

An amazing collaboration with Director Marc Webb that lasted over two years and produced 21 previs sequences plus countless post-vis shots.

The latest in a series of music videos we’ve collaborated on with Director Rich Lee. This one features Will.I.Am, J Lo, Mick Jagger and a series of CGI vehicles that go fast and go hard.

Our on-set visualization team sprang to action and provided realtime, in-camera composites for two sequences in Zack Snyder’s Superman reboot.

For the Michel Gondry re-make of this classic masked vigilante story we experimented with the look of our previs, settling on a toon-shaded style. It proved to be fast, efficient and evocative. In all, a huge success.

We fielded teams out of both our Los Angeles and Vancouver offices to complete the previs and post-vis for the fourth film in the Underworld franchise.